Popular Music, Social Practice and Cultural Politics Essay

pop Music, Social Practice and Cultural Politics - Essay ExampleIn fact the general jot was that it was a passing phase. But this was not to be because Rap took a very serious frolic in the late 1980s when the bubble gum configuration of rap evolved into the more serious kind of Gangsta Rap. From very humble beginnings, Gangsta rap made a huge name for itself and flooded the mainstream markets that generated not only huge profits but widespread popularity to the rapping artists as head as the labels that sold them. pop rappers started writing harsh and edgy lyrics that celebrated street warfare, the use of drugs and also glorified promiscuity. They experienced place-based personal identity with LA deeming itself to be fresh territory with a high novelty value and stories of gang difference of opinion and police confrontations. The identity of the rapper was his hood which he used most of the time.Eithne Quinn, takes a long lumbering look at the genre of Gangsta rap and gives us a rich and insightful analysis in relation to contemporary culture. Quinn finds contradictory statements as she explores the ideologies, the intricacies and the culture of the forbidding working class. Nuthin But a G Thang shows how Gansta rap is not simply a pop culture fad but instead embodies enigmatical shifts in American culture and everyday life. (S. Craig Watkins, author of Representing Hip Hop Culture and the Production of Black Cinema)Quinn enumerates that the social group involved in Gangsta Rap were the people who were considered to be in crisis and these included the wispy youth from poor homes who were all out to make money. On the other hand, a major segment of the society in general and other public figures and proponents of respectable family values did not take well to the fast life-styles and blatantly charged lyrics which incited a lot of distaste and anger in them. Yet postal code much could be done about it and hence for the last thirty years,